The Fine arts photographer, Ori Gersht, works out of the United Kingdom, producing multilayered photographic and film works that strongly resonate the destructive, violent and disturbing nature of historical events such as the Spanish Civil War, The French Revolution, Hiroshima and even the suicide bombs which the artist experienced directly during his childhood in Israel.
Contemplating life, destiny, chance and loss, the artist often conjures up images of sites with historical significance to explore the grand and unrestrained themes of life, beauty, violence and death. All through his work, The Landscape is used as a motif and symbol hinting to the catastrophic and violent events that had once taken place within the landscape being shown. Gersht's work carries a strong suggestion of the emotional and psychological disturbance caused by the events of the past, arousing a feeling of violence and haunted by the ghosts of war, The Refugees.
In his still life series, Ori Gersht, explores the relationship between photography, technology and perception at a critical and important point in time when technological advancements have influenced photography, changing the medium forever. In this series, the artist touches on early photography history while introducing a theoretical discourse around his subjects. The images literally and figuratively explode the genre of still life as the artist captures the beautiful but destructive images with advanced cutting edge technology.
Contemplating life, destiny, chance and loss, the artist often conjures up images of sites with historical significance to explore the grand and unrestrained themes of life, beauty, violence and death. All through his work, The Landscape is used as a motif and symbol hinting to the catastrophic and violent events that had once taken place within the landscape being shown. Gersht's work carries a strong suggestion of the emotional and psychological disturbance caused by the events of the past, arousing a feeling of violence and haunted by the ghosts of war, The Refugees.
In his still life series, Ori Gersht, explores the relationship between photography, technology and perception at a critical and important point in time when technological advancements have influenced photography, changing the medium forever. In this series, the artist touches on early photography history while introducing a theoretical discourse around his subjects. The images literally and figuratively explode the genre of still life as the artist captures the beautiful but destructive images with advanced cutting edge technology.